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Thomas Sulman (ca.1834-1900) was an English architectural draftsman. Sulman studied at The Working Men’s College between 1854 to 1858, where he was a student of, and later an engraver for, Dante Gabriel Rossetti ;〔(Thomas Sulman: The Rossetti Archive - Mary in the House of St. John ) Retrieved 18 January 2011〕〔(Thomas Sulman: The Rossetti Archive - Two Lovers Embracing ) Retrieved 18 January 2011〕〔(Thomas Sulman: The Rossetti Archive - Jan Van Eyck's Studio ) Retrieved 18 January 2011〕 he was influenced by the positivist thinkers at the college.〔J. F. C. Harrison ,''A History of the Working Men's College (1854-1954)'', Routledge Kegan Paul, 1954〕 He became a specialist in using balloons to produce birds-eye views of cities including London, Oxford, Glasgow and New York. These views, as hand-coloured engravings produced with the help of London engraver Robert Loudan Sr.,were featured in The Illustrated London News from the 1860s, and were sometimes produced to a fold-out six foot length.〔(The Illustrated London News 1861: London from the South Side of the Thames ). Retrieved 18 January 2011.〕 In 1891 he produced high-level views of major London thoroughfares for Herbert Fry's ''London: Illustrated by Twenty Bird's Eye Views of the Principal Streets'' 〔(London: Illustrated by Twenty Bird's Eye Views of the Principal Streets ). Retrieved 18 January 2011.〕 〔(Manchester University Press: The Art Dealer and Taste, Anne Helmreich, P. 36 ) Retrieved 18 January 2011.〕 engraved by George William Ruffle (1838–1901). Sulman drew and engraved images for newspaper and magazine advertisements, including one for Beethams Glycerine and Cucumber showing a young woman with toiletries. He illustrated for ''The Boy’s Own Annual'' in the 1880s. ==References== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Thomas Sulman」の詳細全文を読む スポンサード リンク
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